Jason-Baffa-Films-Intro
JASON BAFFA FILMS
Image maker, commercial director @ BestFriend.tv and creator of the feature documentary films,
"Loopers", "Bella Vita", "One California Day" & "Singlefin: yellow"
Jason-Baffa-Films-Intro
JASON BAFFA FILMS
Image maker, commercial director @ BestFriend.tv and creator of the feature documentary films,
"Loopers", "Bella Vita", "One California Day" & "Singlefin: yellow"
Filmmaker Jason Baffa is known for a body of work that brings to life soulful visual explorations through unique characters and a cinematic esthetic. Noted for work in the surf genre, his powerful imagery and emphasis on emotional stories has built a niche in independent film garnering worldwide praise.
His new feature documentary, “LOOPERS: The Caddie’s Long Walk” is the first ever look at the somewhat secret profession of the golf caddie. Currently screening on the film festival circuit, the doc looks to be in theaters this summer.
In the commercial world, his eye for soulful lifestyle imagery goes beyond the waves. Capturing visuals for top brands and creating short form branded content documentary work. In love with his craft, Baffa stays busy with commercial directing work, fine art photography and new independent feature film projects as well as a partnership in ZIOBAFFA organic Italian wine.
Commercial Representation, Zak Thornborough @ BestFriend.tv
Jason-Baffa-Films-Clients
Clients include: Acura, Anheuser-Busch, BMW, Discovery, Ford, FOX Sports, Jeep, Kashi, Knack.it,
Lance Campers, MTV, Oakley, Patagonia, SPY, Toyota, TLC Network, Samsung
Jason-Baffa-Films-Clients
Clients include: Acura, Anheuser-Busch, BMW, Discovery, Ford, FOX Sports, Jeep, Kashi, Knack.it,
Lance Campers, MTV, Oakley, Patagonia, SPY, Toyota, TLC Network, Samsung
what others say...
“With striking panoramics — ‘Loopers’ is reminiscent of the BBC’s ‘Planet Earth’ series, educating while aesthetically captivating”
“Baffa’s work is the perfect armchair traveler.”
“BELLA VITA is visually stunning!”
“Director Jason Baffa makes the best and most sneaky-thoughtful films in the game.”
“As a film editor, I’m usually the first one to realize what’s working and what isn’t. Jason is always on point, giving me the freedom to realize his vision, rather than simply fix problems. I’ve always felt my job is to make my directors looks good. In Jason’s case, it’s the other way around.”
FEATURED COMMERCIAL WORK
